613-831-4435Dewi Williams
Directing Credits
| 1971: November 6 & 7 | The Golden Goose |
| 1972: October 21 & 22 | The Wayward Clocks |
| 1974: March 7, 8, 9 | Hunting Stuart |
| 1975: May 15, 16, 17 | Life With Father |
| 1977: March 23-26 | Angel Street |
| 1979: January 10-13 | Everything In The Garden |
| 1980: January 24-26 | The Popcorn Man |
| 1982: October 1982 | Jitters |
| 1985: October 23-26 | She Stoops To Conquer |
| 1988: October 19-22 | 84 Charing Cross Road |
| 1981: March 18-21 | Bousille And The Just |
| 1984: November 9-11 | Choice for the Future |
| 1995: October 25-28 | One for the Pot |
| 1998: October 7-10 & 14-17 | Hobson's Choice |
| 2007: September 18 to 29 | The Heiress |
Acting Credits
| 1969: April 12 | Rise And Shine |
| 1969: November 14, 15 | Heaven on Earth |
| 1970: May 1, 2 | Present Laughter |
| 1970: October 24 | A Marriage Proposal |
| 1971: May 6, 7, 8 | The Crucible |
| 1972: April 5, 6, 8 | Half Way Up The Tree |
| 1973: April 12, 13, 14 | Separate Tables |
| 1974: January 17, 18, 19 | The Importance of Being Earnest - I |
| 1974: November 23 | Salad Days |
| 1975: March 13, 14, 15 | A Shot In The Dark |
| 1976: January 15, 16, 17 | The Love Of Four Colonels |
| 1976: April 24 | The Neighbors |
| 1977: January 12-15 | Lloyd George Knew My Father |
| 1978: December 14-17, 1977 | A Christmas Carol |
| 1978: October 18-21 | Enter A Free Man |
| 1979: May 9-12 | How The Other Half Loves |
| 1979: November 18 & 19 | Moonchild |
| 1980: May 24 | Punch & Judy |
| 1980: October 22-25 | Bedroom Farce |
| 1983: January 19-22 | Otherwise Engaged |
| 1990: March 1990 | Of The Fields Lately |
| 1991: May 1991 | When We Are Married |
| 1996: April 1996 | Up Front and Centre Stage |
| 1997: November 1997 | Much Ado About Nothing |
| 2001: May 23-26, May 29-June 2 | A Midsummer Night's Dream |
| 2005: December 27, 28, 29 | The Dragonslayers |
| 2009: Dec 27-39, 2009 | The Boxcar Children |
Production Credits
From The Heiress:
DEWI and EUFRON WILLIAMS (Directors) took part in the initial meeting that led to the creation of Kanata Theatre. In the following year, they were on stage together in Kanata Theatre’s first-ever production: Rise and Shine, at the Stephen Leacock Public School. Since that time, they have participated in every activity needed to run a theatrical company: onstage, backstage, front of house, production, and administration.
